Wimbledon Men’s Final 2008: Greatest match ever…? – posted by www.VirtualTennisCoach.com

Wimbledon Men’s Final 2008: Federer v/s Nadal – Highlights

Probably the greatest match ever contested… you decide – enjoy!

Part 1

Part 2

If…

Rudyard Kipling

If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;

If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:

If you can dream – and not make dreams your master;
If you can think – and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build ’em up with wornout tools:

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;

If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’

If you can talk with crowds and keep your virtue,
Or walk with kings – nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;

If you can fill the unforgiving minute
With sixty seconds’ worth of distance run –
Yours is the Earth and everything that’s in it,
And – which is more – you’ll be a Man my son!

Associated Links:

5 Most Recent VTC Blogs:

FREE 10 Day Coaching Course:

Subscribe to Virtual Tennis Coach:


vtc-banner

The Natural Tennis Player Theory – Your Coach: Peter Smith www.VirtualTennisCoach.com

Peter Smith

Your Coach: Peter Smith

THE NATURAL TENNIS PLAYER THEORY

I often hear certain people referred to by others as being “natural tennis players”. It is as if anyone who plays well was just born to play tennis.

Associated with these concepts is the common belief that good players were born good or at least at some stage they automatically became good.

Firstly noone is a “natural tennis player”. Highly skilled players are invariably naturally talented athletes who if brought up in a different sporting environment would almost certainly enjoy a high level of success in that particular sport. Naturally talented athletes would logically have the potential to excel in a wide range of physical activities. I have a strong belief that if even the very best players eg Lleyton Hewitt were not introduced to tennis, then of course they would not even play the game let alone excel at it.

In Lleyton’s case I am sure he would be capable of achieving a high degree of success in a number of other sports eg football & golf.

With reference to the “natural tennis player” there is no such person – anyone who plays the game well has achieved that situation by endeavour – thousands of hours of hard work. The combination of natural athletic ability, opportunity & a passion for the game leads to success. Some people have similar theories related to certain sections of the game. For example, some players are described as “natural volleyers” – again a misconception – there is no such player, only those that don’t volley well & those that do (very few I might add) & all of these develop skills in the area by sheer hard work.

Associated Links:

5 Most Recent VTC Blogs:

FREE 10 Day Coaching Course:

Subscribe to Virtual Tennis Coach:


Peter Smith

Your Coach: Peter Smith

YOUR COACH

South Australian Peter Smith has 40 years experience as a Teaching Professional. Twice voted Australian Tennis Coach of the year, Peter is most widely known as the long term coach of Lleyton Hewitt. He has, however, worked with a long list of other players including former World Number 1 Doubles player and current Australian Davis Cup Captain John Fitzgerald who says, “There is a great argument to say that Peter Smith has had more influence than any coach in Australia in the past two decades in terms of producing world class players”.

Peter is the Head Coach of the Peter Smith Tennis Academy in Adelaide, South Australia

www.petersmithtennis.com / www.ngclubs.com.au

VirtualTennisCoach.com

Peter has recently released an instructional DVD “The Development Stage” (also available to download in individual sections or as a complete set) – details can be found at www.virtualtenniscoach.com. This website also contains FREE 10 day coaching course and interviews with a selection of Peter’s former pupils.


vtc-banner

Federer v/s Hewitt: Greatest rally ever – posted by www.VirtualTennisCoach.com

False Desperation – Your Coach: Peter Smith www.VirtualTennisCoach.com

Peter Smith

Your Coach: Peter Smith

FALSE DESPERATION

My observation suggests that adults teach infants to behave on occasions in a dramatic & exaggerated manner.  Behaviour is rather loud & extravagant as young children are encouraged to develop an ever increasing range of physical skills.

Initially, walking is a major conquest – but there is no shortage of assistance – numerous people willing to hold each hand in order to support weight that the infant is struggling with.

Every gain (or every attempt) is greeted with raucous applause – every child (maybe more so in really caring families) is led to believe that they are performing feats of enormous magnitude – running faster, jumping higher or throwing further than any other human being on the planet.

Tennis provides a whole new stage for performing – a whole new range of skills to dramatise.  Result:  young children generally playing on a full size court, logically having enormous difficulty covering the area become desperation machines – diving to short balls & wide balls, jumping in vain to anything & everything that flies over their head but in fact reaching very little.

Question:  Is the effort genuine? ie Is it the best effort possible to reach that particular ball or is it often an example of “false desperation”?  ie In the mind 100% effort but in reality an action that can’t possibly be successful.

Example:  How many times do we see, not just young children but often quite skilled adults, lunge desperately (often associated with a very audible groan) only to be passed, when a couple of controlled steps would have created the opportunity to play a relatively easy shot.

My experience suggests that once the player is made aware of the above, they quickly realize the inefficiency of many of their actions & immediately set about making more genuine attempts.

The most obvious examples of this “F D Syndrome” tend to occur on anything that is hit out of reach – eg quite a friendly lob can be missed completely (smash) only to be followed up by an attempt to turn, run backwards & retrieve the ball with a back to front over the head hook shot.  Surely if the lob was good enough to beat a genuine desperate attempt to smash then it could not be possible to recover from the attempt & then go & successfully retrieve the ball.

Short balls provide another excellent opportunity to exhibit “FDS” – dozens of times a day I see players battle unsuccessfully to “dig up” a half court ball when a simple skill test with a much shorter ball proves that the player is easily physically capable of chasing down the original ball.

I frequently find myself talking to players about how I trust them to “intend to put in 100%” to reach a challenging ball while at the same time challenging them with the concept that with a 100% planned & structured effort they may well have reached that particular shot comfortably.

Peter Smith

Your Coach: Peter Smith

YOUR COACH

South Australian Peter Smith has 40 years experience as a Teaching Professional. Twice voted Australian Tennis Coach of the year, Peter is most widely known as the long term coach of Lleyton Hewitt. He has, however, worked with a long list of other players including former World Number 1 Doubles player and current Australian Davis Cup Captain John Fitzgerald who says, “There is a great argument to say that Peter Smith has had more influence than any coach in Australia in the past two decades in terms of producing world class players”.

Peter is the Head Coach of the Peter Smith Tennis Academy in Adelaide, South Australia

www.petersmithtennis.comwww.ngclubs.com.au

VirtualTennisCoach.com

Peter has recently released an instructional DVD “The Development Stage” (also available to download in individual sections or as a complete set) – details can be found at www.virtualtenniscoach.com. This website also contains FREE 10 day coaching course and interviews with a selection of Peter’s former pupils.


vtc-banner

Roger Federer Slice Backhand Analysis – Your Coach: Peter Smith www.VirtualTennisCoach.com

 

Peter Smith

Your Coach: Peter Smith

Roger Federer Slice Backhand Analysis

Without question Roger Federer has been, and still is, a breath of fresh air in the modern game. Although regarded by his peers, even in the formative years, to possess the ability to produce amazing speed of racquet head, Roger has brought an artistry to the game reminiscent of some of the legends of bygone days. We are indeed privileged to witness a game that places great emphasis, not solely on power, but equally on more subtle competitive aspects of the game.

A great tactical thinker, Roger displays perhaps a more extensive range of skills than anyone that has played the game. In an era when the ball is being hit heavier than ever before, Roger has almost single handedly been responsible for the re-emergence of some of the “touch and feel” areas of the game.

Maybe the most obvious example of this shift from uncompromising power is Roger’s slice backhand, used primarily as an offensive option, frequently challenging opponents with a “different look”, a shot with endless variety of flight path, spin and bounce pattern.

Let’s have a closer look at just one of Roger’s variations – a shot that sets up as a regulation slice only to transform into a heavy side spinning backhand, fading and breaking away down the line.

 

picture-1 Picture 1

Roger has obviously made an early decision to set up for what appears at this stage to be a regulation backhand slice. There is no evidence of being in a position of disadvantage as the oncoming ball is routine. Roger’s movement pattern is very positive, both laterally and into the court. It is worth noting the wonderfully early backswing preparation as he loads up on the left foot.


picture-2 Picture 2

Roger’s classic shoulder rotation continues, the racquet arm has been “opened” creating a correspondingly open racquet face with the racquet head above the left shoulder. The right elbow bend established in the ready position has been maintained and the left hand supports the racquet at the throat. Weight transfer into the shot has commenced.


picture-3Picture 3

Shoulder rotation continues as the right foot now makes contact with the court and begins to slide forwards (claycourt).


picture-4Picture 4

The classic preparation is complete – the hitting shoulder is lined up with the “down-the-line net post”. The right foot slide has almost finished creating excellent weight transference as the ball approaches the hitting zone. Balance is perfect with the head directly facing the ball, maximising eye contact.


picture-5Picture 5

Forward and downward swing commences with a slight uncoiling of the shoulders, the left hand releases the racquet throat, the hitting arm begins to straighten – note the slightly unusual position of the left foot which has splayed marginally backwards effectively acting as a brake. At this stage the preparation could still be for a regulation slice.


picture-6Picture 6

Captures the moment immediately after contact – perfect balance and head position are maintained. The key factor here is that, with a rapid straightening of the right elbow, the swing pattern has continued downwards and significantly left to right, effectively imparting massive side spin on the ball which has already begun to fade fractionally to the left.

Note: If the stroke had continued as “regulation slice”, the swing pattern would have been significantly more horizontal with the follow -through finishing with the racquet directed down the court. Rather than the racquet face contacting the back of the ball left to right, contact would have been under the ball imparting standard underspin.


picture-7Picture 7

Racquet position now is a clear indication of the severe left to right action. The vertical straightening of the arm and wrist, along with the slight leaning back from the ball, suggest drop shot or extreme short corner fade. Considering Roger’s closeness to the sideline, the fade in the air will need to be minimal.


picture-8Picture 8

The swing pattern is complete, body weight continues to withdraw, perfect head position – continues to face the ball. A successful outcome to this shot will result in the ball barely clearing the net, landing very short just inside the line, breaking sharply left away from the court. At best, a winning drop shot, at worst the opponent will be drawn forwards and out of court.

CONCLUSION

Just another example of the Federer artistry and tactical genius – not satisfied with using the slice backhand as a variation, he has gone to another level by developing a string of variations to the variation.

Peter Smith

Your Coach: Peter Smith

YOUR COACH

South Australian Peter Smith has 40 years experience as a Teaching Professional. Twice voted Australian Tennis Coach of the year, Peter is most widely known as the long term coach of Lleyton Hewitt. He has, however, worked with a long list of other players including former World Number 1 Doubles player and current Australian Davis Cup Captain John Fitzgerald who says, “There is a great argument to say that Peter Smith has had more influence than any coach in Australia in the past two decades in terms of producing world class players”.

Peter is the Head Coach of the Peter Smith Tennis Academy in Adelaide, South Australia

www.petersmithtennis.comwww.ngclubs.com.au

 

www.VirtualTennisCoach.Com

Peter has recently released an instructional DVD “The Development Stage” (also available to download in individual sections or as a complete set) – details can be found at www.virtualtenniscoach.com. This website also contains FREE 10 day coaching course and interviews with a selection of Peter’s former pupils.

 

vtc-banner

FREE 10 day Tennis Coaching Course at: www.VirtualTennisCoach.com

The Perfect Tennis Gift – Tennis Coaching DVD / Download at: www.VirtualTennisCoach.com

The Perfect Tennis Gift

The debut DVD from world renowned Australian tennis coach Peter Smith, ‘The Development Stage’ provides simple, effective coaching advice for anyone interested in learning to play the game of tennis.

Delivered in a unique folding DVD sleeve featuring overviews of the main strokes (shown below).

A FREE PDF download highlighting the main teaching points for the essential basic strokes of the development stage is also included with the purchase of this DVD.

 

The Development Stage DVD

 

Website: www.virtualtenniscoach.com

RRP: £20.00 GBP

Special offer: £15.00 GBP

Duration: 81 minutes

DVD Video / 16:9 Anamorphic / Dolby Digital

 

“This DVD is a sound investment. The instruction is simple, easy to understand and, more importantly, easy to implement.”
ACE Magazine August 2008

“In my mind he’s the best technical coach out there”
Lleyton Hewitt Former World No. 1, US Open and Wimbledon Champion

“There is a great argument to say that Peter Smith has had more influence than any coach in Australia in the past two decades in terms of producing world class players”
John Fitzgerald Former World No.1 (doubles), current Australian Davis Cup Captain

 

Product Description

Each DVD section includes:

  • A visual demonstration of the strokes at a Professional playing level
  • Visual and verbal sequences highlighting the main teaching points at the Development Stage
  • An overview of the main teaching points with supporting text
  • Visual and verbal sequences highlighting the stroke variations at the Development Stage

 

The Development Stage DVD - Overview

 

Additional Extras DVD sections:

  • Interviews with Peter Smith’s former pupils Lleyton Hewitt, John Fitzgerald, Darren Cahill and Roger Rasheed
  • A Tribute to the late Peter Carter
  • Website Trailers

The Development Stage DVD - Inside cover

 

Your Coach: Peter Smith Dip T Sec Adv AST1

Australian Coach of the Year 1997, 1998
40 years experience as a Teaching Professional (tennis)
Tennis Australia Level 3
Tennis Coaches Australia Level 3
Awarded the Australian Sports Medal 2000

 

ACE Magazine – Development Stage DVD review
Issue 134 / August 2008

“Over the last 40 years Australian Peter Smith has produced many world class players. His debut coaching DVD looks at “The Development Stage” and provides simple, effective coaching advice for anyone interested in learning to play the game. As a tutorial for beginners and social improvers, this DVD is a sound investment, as the instruction is simple, easy to understand and, more importantly, easy to implement. The first in a new series of coaching DVD’s from Peter, this is an ideal investment for beginners”.

 

CLICK HERE to buy “The Development Stage” DVD


 

vtc-banner

Virtual Tennis Coach: Watch and learn from the greats of the modern game

WATCH AND LEARN FROM THE GREATS OF THE MODERN GAME

Written by: Peter Smith

Featured in ACE Magazine – Issue 137 / November 2008

 

ACE Magazine November 2008

ACE Magazine November 2008

 

If you are like me, you probably have a tendency to watch what is almost a daily smorgasbord of sensational tennis either live or on television, purely for its entertainment value.  It can be such an adrenalin rush to watch the energy and artistry of the likes of Federer, Nadal and the Williams sisters and the list goes on.

Unfortunately this approach, although hugely enjoyable, to a large degree wastes a potentially valuable learning experience.  So I am trying hard to develop new skills of “watching and learning from the Pros”.

Just to make analysis easier, I have divided the game into 4 broad areas: Technical, Tactical, Mental and Physical

Under these headings it may sometimes be more productive to make a general observation or alternatively there may be some very specific learning point that catches your eye. 

So, let’s have a go as I share with you a quick glance at some of the superstars of world tennis!  Just a hint: see if you can differentiate between the “must-do things” that make all good players good and the additional really creative things that maybe make a genius but are probably too ambitious to be attempted by the average club player.

 

Roger Federer

Roger Federer

 

ROGER FEDERER

Technical

Beautiful classic technique across a full range of strokes – made achievable by using quite conventional grips (not extreme)

Hits each stroke with apparent ease – everything is calm & smooth – never appears to force a shot even when his intention is clearly to hit a “big winner”

Even in his early junior days, Roger had the reputation of being capable of producing amazing racquet head speed – the best example is probably his forehand groundstroke which is arguably the most dangerous stroke in men’s tennis.

Tactical

Very few if any other players possess Roger’s total all-court game – this is made possible by not only having all the standard strokes but having a number of additional variations to each of these as well.  The outcome is an ability to play at the highest level from any area of the court, on any court surface & against any style of opponent.

Mental

Has an aura of great self belief which eminates from having almost total confidence in every area of the game – opponents feel this as well, even before walking onto the court 

Roger is clearly quite intimidating in his own quiet way – what an advantage!

Physical

A gifted elastic athlete – this allows Roger to make very subtle changes to standard strokes – great variation of spin

Excellent perception in addition to being deceptively incredibly quick

Always beautifully balanced leading to superb preparation on almost every stroke – rarely hurried

 

 

Rafael Nadal

Rafael Nadal

 

RAFAEL NADAL

Technical

Renowned as having the “heaviest” groundstrokes in the game (quite extreme grips) – due to his physical strength is capable of producing extraordinary topspin without losing penetration through the court

Wonderful example for all aspiring players as he continues to strengthen every area of his game – the heavy topspin is now complimented with a quality serve, a variety of slices & very competent volleying – a genuine all-court game!

Tactical

The basis of Rafael’s game is all-court soundness, as he seems to have an answer for every ball that comes into his court.

He also has an amazing ability to create difficulty at the other end of the court.

Perhaps the best defensive player in the world – brilliantly complimented with great offensive options

Mental

Possesses extreme competitiveness – just seems to love the contest

His mental toughness appears to allow him to actually “will” points.

Plays the big points incredibly well converting a high percentage of break points when receiving while demonstrating an enormous capacity to defend break points when serving

Quite superstitious – famous for the thoroughness of his “routines” when serving, receiving or even changing ends (check out the drink bottles)

Physical

What an athlete!  Extraordinarily explosive, he has amazing court coverage tracking down almost every ball no matter how difficult, always trying to make the opponent play one extra shot – an energy machine!

Seems to possess endless stamina, rarely showing signs of fatigue – quite amazing considering his incredibly demanding match schedule

 

 

Lleyton Hewitt

Lleyton Hewitt

 

 LLEYTON HEWITT

Technical

The standout feature of Lleyton’s game is his overall soundness.  He has a proven ability to play on all surfaces & a Grand Slam Doubles’ title is testimony to his all-court game.

His backhand groundstroke is respected for its consistency & range of variations while his volleying, particularly through the short corners, is often underestimated.

Tactical

Not as big as many of the leading players, Lleyton has made a feature of some of the more subtle areas of the game.  A brilliant, creative counter-puncher, he has turned lobbing, returning serve & hitting passing shots into an art form.

Mental

Exceptionally competitive, Lleyton is renowned for never giving up.  He loves a team environment & has an unwavering commitment to Davis Cup.  He is motivated by pitting his skills against the best in the world & thrives in difficult circumstances, often playing on adrenalin generated by performing at his peak.

Famous for the catch phrase “Come on!”

Physical

He is respected by opponents & spectators alike for being one of the quickest players in the game.  He is extremely fit, with amazing court coverage & a very resilient body that has endured an extremely demanding style of play for ten years on the tour.

 

 

Novak Djokovic

Novak Djokovic

 

NOVAK  DJOKOVIC

Technical

There is virtually no technical weakness in the Djokovic game.  This is just reward for a relentless pursuit of excellence even to the extent of seeking expert assistance for such specialist areas as volleying.  He has a really high quality serve, the result of a beautiful, smooth, efficient action on both first & second balls & is capable of serving very big on important points.

Tactical

Perhaps the most impressive feature of Novak’s incredible game is his ability to, not only play groundstrokes cross-court & down-the-line, but to be able to change the direction of play almost at will.  This allows him to tactically play the direction of his choice when structuring the point, rather than tending to play the percentages & rally predominantly cross-court.

Mental

Possesses a strong sense of self-belief – one gets the distinct impression that Novak is a young man in a hurry to fulfill his expressed dream of becoming the number 1 player in the world

Although the excessive bouncing prior to serving can become a little tedious, there is no questioning his determination to play only when he is completely ready.

Physical

Almost the perfect build for tennis – very strong & capable of exceptional court coverage

Has the ability to produce quality shots from positions of genuine disadvantage – it is not uncommon to see Novak slide on hardcourt, allowing him to achieve near perfect balance under pressure

 

 

Venus Wiliams

Venus Wiliams

 

VENUS WILLIAMS

Technical

There are many stand-out features of the Venus Williams’ game, not the least of which is all-round awesome power.  Her first serve is measurably the biggest in the game – the second serve, however, can be a little unreliable as it tends to slide quite regularly to the right-handers’ forehand.

Both groundstrokes are hit off very open stances which requires great strength but allows her to change direction of shot with very little indication to her opponent.

Tactical

It is impossible not to be impressed by Venus’s incredible defensive skills – these often go unnoticed, however, as she is capable of being so aggressive from difficult situations that she can turn almost any defensive situation into offence.  Brutal power off both serve & groundstrokes leads to many floated replies which Venus deals with using her explosive trademark drive volleys from mid-court.

Mental

As strange as it seems in the modern game, Venus has been able to mix professional tennis at the highest level with study, fashion & business.  When on the court, however, this full lifestyle does not appear to have diminished in any way, pride in her performance & hunger for success.

Physical

Venus must surely be one of the great athletes of all time.  She is very tall, very strong with an almost cat-like ability to cover every area of the court. 

 

 

Maria Sharapova

Maria Sharapova

 

MARIA SHARAPOVA

Technical

Maria is an extremely aggressive baseliner – both groundstrokes are hit incredibly hard, quite flat & amazingly close to the lines.

Both serves are hit very heavily, frequently setting up weak returns that are often punished with penetrating drive volleys often from very deep in the court.

Perhaps the most characteristic feature is the follow-through on the forehand groundstroke which usually finishes upwards & backwards from the point of contact.

Tactical

There appears to be one game plan – all-out aggression.  Although this approach is potentially high risk, in form she can be almost totally domineering.  Some would suggest that the trademark “screeching” is tactically motivated.

Mental

Very intense & very focused throughout matches – highly sophisticated, superstitious routines between points especially when serving

Physical

What a great athlete!  Very tall & incredibly strong, it is easy to see how she can be so intimidating.  Her height is perhaps a slight disadvantage when moving out wide or to short low balls.  It is amazing to see the power Maria generates, often off the back foot & with the flourishing follow-through.

 

 

Amelie Mauresmo

Amelie Mauresmo


AMELIE MAURESMO

Technical

Amelie has such a classical all-court game and, like Justine Henin, the standout feature is her ability to play an amazing range of one-handed backhand groundstrokes.  Her topspin variety is played with a heavy backhand grip & a correspondingly quite open stance.  She has great feel off the slice backhand as well, which she often uses to approach the net or to set up points with creative dropshots.

Tactical

Not possessing a particularly reliable or penetrating serve, Amelie has developed an amazing range of strokes which allow her to play effectively on all surfaces.  She can do just about anything, with her standard baseline game being complimented by many creative options such as serve & volley, slice return & slice approach.

Mental

Great to watch a no-nonsense player who just wants to get on with the job.  Sadly, her inability to win at Roland-Garros has probably created an impression, at least within France, of not being mentally strong – so pleasing therefore to note the other grand slam victories.

Physical

An amazingly sculptured athlete who, despite numerous injury problems, continues to play tennis with great artistry & a style of play that requires movement to all areas of the court – maybe the most graceful player in the game.

 

 

Serena Williams

Serena Williams

 

SERENA WILLIAMS 

Technical

Perhaps Serena is the most complete player in the women’s game.  It is hard to find a weakness anywhere.  Her first serve is very big & her topspin second serve is of the highest order.  Both groundstrokes are extremely penetrating & she possesses a full range of volleys.

Tactical

Everything about Serena’s game is aggressive & dominant.  She is constantly attempting to establish an advantage, moving forwards at every opportunity to attack short groundstrokes or to approach the net with a view to finishing the point as quickly as possible.

Mental

Despite the challenges of frequently having to play sister Venus (hard to imagine how difficult this must be), Serena is an amazing “big match” player.  Even in recent times, playing almost part-time, she has demonstrated the ability to come into a tournament out of form & to just keep improving match by match – who can forget her Australian Open victory in 2007 (ranked 81st & unseeded)?

Physical

Although not as tall as some of the other leading players of the past decade, Serena is arguably the most powerful athlete on the women’s tour.  Despite some injury problems in recent years, she continues to be capable of playing at the highest level in the most intimidating & imposing manner.

  

SUMMARY

Well, if you have been like me & needed some encouragement to start a process of not just watching but actually learning from the Pros, I hope this helps.  One final tip – look past the power aspect of the modern game & focus your attention on technical & tactical soundness which, without exception, would have taken 10 to 15 years of relentless hard work & sacrifice to develop.

  

 

Peter Smith

Peter Smith

 

 

YOUR COACH

South Australian Peter Smith has 40 years experience as a Teaching Professional.  Twice voted Australian Tennis Coach of the year, Peter is most widely known as the long term coach of Lleyton Hewitt.  He has, however, worked with a long list of other players including former World Number 1 Doubles player and current Australian Davis Cup Captain John Fitzgerald who says, “There is a great argument to say that Peter Smith has had more influence than any coach in Australia in the past two decades in terms of producing world class players”.

 

Peter is the Head Coach of the Peter Smith Tennis Academy in Adelaide, South Australia 

www.petersmithtennis.com / www.ngclubs.com.au  

 

VIRTUALTENNISCOACH.COM

Peter has recently released an instructional DVD “The Development Stage”  (also available to download in individual sections or as a complete set) – details can be found at www.virtualtenniscoach.com. This website also contains FREE 10 day coaching course and interviews with a selection of Peter’s former pupils.

 

 

A Tribute to Peter Carter – Former coach to Roger Federer (from Virtual Tennis Coach)

A tribute to Peter Carter

Interview with Bob and Diana Carter in January 2007 (Peter Carters parents)

 

 

Peter Carter

Peter Carter

CLICK HERE to watch the Virtual Tennis Coach tribute to Peter Carter

 

 

Former ATP professional

Coach to Roger Federer (12 – 18 yrs)

Former Swiss Davis Cup Captain

Pupil to Peter Smith 10yrs +

 

 

Matt Wright:

“When it became obvious that your son Peter was a very promising tennis player I understand you sought out Peter Smith – what motivated this decision at the time?”

Bob Carter:

“Well Peter had been coming down to tournaments in Adelaide and doing quite well. He got picked in the state squad and Peter Smith was the coach in that state squad. We got to know him and saw his method and I thought well we want the best! So that’s why – Peter took him on and it’s turned into just a wonderful relationship for the whole family – yeah it’s been great ”

Matt Wright:

“In the early days of this relationship you used to drive down from the country each weekend for coaching – what are your recollections of those early days?”

Bob Carter:

“Well I enjoyed it because I could see such progress developing – so it was a great time. The two Peter’s right from the start really clicked, they seemed to get on so well with each other – it just helped so much I think and Peter was just so keen to learn”.

Diana Carter:

“And of course Peter and Bromwyn they had three young boys as well and they all got on very well together”

Matt Wright:

“I believe the relationship escalated when your Peter started living with the Smith’s and going to the same school that Peter taught at – this continued for a number of years – can you remember the impact that Peter had on your Peter’s game during this period?”

Bob Carter:

“Peter was just fifteen when he went down there and it could be an awkward age, you know when they are growing up and all the rest, but no he had an enormous influence on his character and his thinking. Also coming into a family like that it really set our minds at ease because it wasn’t easy losing him at fifteen”

Diana Carter:

“He was our youngest and the first to leave home so it wasn’t an easy time”

Bob Carter:

“Peter was doing pretty well down here in Adelaide any how, before he lived with them – but when he could hit more often with Peter his game just blossomed – volleying the serve and all of his game. He started beating people that were previously beating him – so he had an enormous impact”

Matt Wright:

“I know Peter was enormously proud of how your Peter developed as a player and as a person and more recently was in awe of Peter’s achievements with Roger Federer, the Swiss tennis Federation and its Davis Cup Team. I understand that both Peter’s used to talk on the phone and compare notes on their “boys” – amazing that both boys became World No.1’s and Roger is arguably the best player ever – can you comment”

Bob Carter:

“Well first of all we were very proud too of what he achieved in the coaching side of it. I think he was an understudy to Peter Smith, he saw his method of coaching and I’m sure he followed a lot of that. The two Peter’s used to communicate over the phone about their two players – Roger and Lleyton, they were real rivals together, although I think they did play a few doubles matches together. But not only did they talk about tennis, our Peter knew that if he had problems, he could ring Peter Smith, and he did that a lot. He was only a young guy running around the tennis circuit and all the rest, but he used to ring Peter and have talks. It was just a wonderful relationship that they had”

 

 

 

Peter Carter, Luke Smith, Peter Smith, Lleyton Hewitt

Peter Carter, Luke Smith, Peter Smith, Lleyton Hewitt

CLICK HERE to watch the Virtual Tennis Coach tribute to Peter Carter

 

 

‘The Development Stage’ DVD Dedication:

 “This DVD is dedicated to two young men with whom I’ve enjoyed an enduring friendship. To Lleyton Hewitt, the best pupil and the best player that I have had the good fortune to be involved with, To Peter Carter, who was like a son to us and whose achievements in coaching, with Roger Federer, the Swiss Tennis Federation and the Swiss Davis Cup Team, I’m in awe of.”  

Peter Smith

 

Virtual Tennis Coach: Tennis Coaching DVD / Download – Backhand and Forehand Slice

 

From virtualtenniscoach.com

Backhand and Forehand Slice download

 

Watch the Backhand / Forehand Slice trailer

CLICK HERE for the complete Backhand / Forehand Slice download

 

the Extras download (playing time: 7:47)

Backhand and Forehand Slice

Includes:

Professional demonstrations, the ready position, the grip, the stance, the hitting action, appropriate use of slice at the development stage, coaching tips, a visual overview summarising the main teaching points.

A PDF of the visual overview is also included with this download for your reference.

Download guide

Suitable for viewing on Mac / PC / ipod / iphone (MPEG-4 Video File 77MB)

 

CLICK HERE for the complete Backhand / Forehand Slice download